The Boys in the Band (2020) is a film adaptation of the 1968 play by Mart Crowley, set in late 1960s New York City. It follows a group of gay men gathering for a birthday party, where tensions rise, secrets emerge, and emotions run high. The film takes place in Michaelβs (Jim Parsons) apartment, where he hosts a birthday celebration for his friend Harold (Zachary Quinto). The guests include Michaelβs close friends, each bringing their own personal struggles and unresolved issues. However, the night takes a sharp turn when Michaelβs old college roommate Alan (Brian Hutchison), a straight man, unexpectedly calls, seeking help. Alanβs arrival adds an element of discomfort and uncertainty, as Michael is unsure whether Alan knows about his sexuality or if he still harbors homophobic views.
As the party unfolds, the group engages in witty banter and sharp humor, but underlying tensions simmer beneath the surface. Michael, a once-successful writer now struggling financially, becomes increasingly agitated as he drinks more. Harold, the birthday boy, arrives late, exuding a cynical and detached demeanor, fully aware of Michaelβs internalized self-hatred. Meanwhile, Alanβs presence disrupts the group dynamic, particularly when he confronts Emory (Robin de JesΓΊs), a flamboyant and unapologetically gay man. The atmosphere shifts from lighthearted to hostile, as Alanβs discomfort grows and the party becomes more emotionally charged. Michael, fueled by alcohol and personal insecurities, proposes a cruel party gameβeach guest must call the one person they have truly loved and confess their feelings.
The game exposes deep vulnerabilities and hidden pain within the group. Bernard (Michael Benjamin Washington), an African American man, is forced to confront the lingering wounds of a past crush on a white boy from his youth. Hank (Tuc Watkins), a man who recently left his wife for his partner Larry (Andrew Rannells), struggles with Larryβs aversion to monogamy. As the phone calls are made, emotions reach a breaking point, with each guest facing their unresolved traumas and insecurities. Alan, caught in the turmoil, denies his own possible attraction to men and leaves the party in emotional distress. The tension between Michael and Harold also comes to a head, as Harold calls out Michaelβs self-loathing, forcing him to face the truth about his own internalized homophobia.
By the end of the night, the guests slowly leave, each carrying the emotional weight of what has transpired. Harold, ever the sharp observer, delivers a final, cutting remark to Michael before departing, leaving him alone in his apartment. Michael, now sober and exhausted, is left to reflect on his own self-destruction and the pain he has inflicted on himself and his friends. The film closes on a somber yet poignant note, illustrating the struggles of gay men in a time when acceptance was rare, and self-acceptance was even harder to achieve.
The Boys in the Band (2020) is a powerful exploration of friendship, identity, and the lasting impact of societal oppression on LGBTQ+ individuals. With a stellar ensemble cast and sharp dialogue, the film captures both the joy and sorrow of its characters, making it a poignant and thought-provoking adaptation. It highlights the internal battles faced by gay men in a prejudiced society, while also showcasing the resilience, humor, and deep bonds that define their friendships.
