Taekwondo (2016) is an Argentine drama co-directed by Marco Berger and Martรญn Farina. The film delves into the complexities of male friendship, desire, and the unspoken tensions that arise in close-knit groups.
The story centers on Germรกn, a reserved and introspective man who is invited by his Taekwondo classmate, Fernando, to spend time at a countryside house near Buenos Aires. There, they join a group of Fernando's longtime friends for a summer retreat filled with leisure and camaraderie. As the days unfold, Germรกn finds himself navigating the nuances of male bonding, all while grappling with his own feelings and the ambiguity of Fernando's intentions.
The film is noted for its subtle storytelling, relying on glances, body language, and shared silences to convey the underlying emotions between characters. The directors employ a naturalistic approach, capturing the everyday interactions and the ambient atmosphere of the setting. This technique allows viewers to immerse themselves in the characters' world, experiencing the tension and intimacy firsthand.
Critics have highlighted the film's exploration of masculinity and the boundaries of platonic relationships. The portrayal of the characters' interactions challenges traditional notions of male behavior, presenting a space where vulnerability and affection coexist with societal expectations. The cinematography further enhances this narrative, with lingering shots that emphasize the physical and emotional proximity of the characters.
Taekwondo received recognition at various international film festivals, including the Molodist International Film Festival in Kyiv, where it won the Sunny Bunny Prize for Best LGBTQ+ Film. The film's nuanced depiction of male relationships and its contemplative pace make it a distinctive entry in contemporary queer cinema.
